RSUSSH 2020
IN20-062 Ether-Cosmos No. XX: Translation Technique
Presenter: Wiboon Trakulhun
Rangsit University, Thailand
Abstract
Ether-Cosmos comprises of twenty pieces for piano. The length of each piece is about 1-3 minutes, except the piece no. 18 which is longer than 12 minutes. Ether-Cosmos No. 20 is about 1.50 minutes in length. This piece was made by translating a name of an individual into musical notes or called “translation technique.” All pitches of melody in section A and B were derived from the composer’s first name and last name, whereas rhythm and pitch of each note of the melody were created by the composer. Besides, the melody throughout the whole piece was placed on the top notes. The tonal center in section A and the home key are on the note G that is related to the last note of the melodies. In terms of the harmonic or chord progression and key signature, the composer has created to suit the stated melody using chromatic chord and third-relation modulation or chromatic mediant that move to the key of Bb. Moreover, the composer imitates many compositional concepts from Romantic music era. Therefore, the sound of this piece is similar to music in Romantic period.
Citation format:
Trakulhun, W.. (2020). Ether-Cosmos No. XX: Translation Technique. Proceeding in RSU International Research Conference, May 1, 2020. Pathum Thani, Thailand.QUESTIONS & ANSWERS
How did you get these idea of material? and Who is you Role Model?
The idea has been used since previous composers, hundreds years ago. The best known of such themes is probably B-A-C-H (Bb-A-C-B), which was employed by J.S. Bach himself and which has subsequently appeared in many other composers’ works. The practice of translating letters of the alphabet into notes for a theme usually serves to honor someone. Many composers in the twentieth century, such as Arnold Schoenberg and Arvo Pärt, have used Bach inspired elements.
The inspiration for using the B-A-C-H motif has various reasons and depends on each composer. The use of the motif has very different approaches, relying on each composer’s style as well. A published catalogue for the 1985 exhibition 300 Jahre
Johann Sebastian Bach lists about four hundred works by at least three hundred composers that are related to Bach, especially the B-A-C-H motif. Therefore, I just use the system for my composition. I did not relate to any specific composer.